But the Lord's work would not be easy for him. Dorsey was convinced that the same experiences that had engendered secular blues should also inform church music. As he was quoted as saying in The Rise of Gospel Blues: "If a woman has lost a man, a man has lost a woman, his feeling reacts to the blues; he feels like expressing it. The same thing acts for a gospel song. Now you're not singing blues; you're singing gospel, good news song, singing about the Creator; but it's the same feeling, a grasping of the heart." In a purely musical sense, the blues was merely a collection of improvisational techniques to Dorsey. Nevertheless, imparting a bluesy feel to a traditional arrangement was shocking to many, though Dorsey was able to vary the effect depending on his audience and their reaction. He was soon making printed copies of his gospel blues. However, since he relied on the performer to embellish the music, they did not sell well. Before long he was back to writing and performing secular blues. In 1928, "It's Tight Like That" became a hit, selling seven million copies.
Although Dorsey claimed to have been thrown out of some of the best churches, Harris observed that the time was right for Dorsey's eventual success. There were increasing numbers of store-front churches that appealed to southern migrants, and there was a booming trade in recorded sermons of the type Dorsey's father might have delivered. Harris even linked the blues soloist to the preacher, as each embodies the yearning of a people and manifests that yearning principally through improvisation. There were also a growing number of influential choirs in Chicago, challenging the musical norms of the established churches, though Dorsey was usually more associated with the rise of the solo tradition. In the late 1920s, he would begin work with one of the great gospel soloists of all time, Mahalia Jackson. According to Dorsey, she asked him to coach her, and for two months they worked together on technique and repertoire. They would tour together in the 1940s.
Personal Tragedy
In 1931, Dorsey again experienced great personal tragedy. The death in childbirth of both his wife and newborn son devastated him. As he related in the documentary Say Amen Somebody, "People tried to tell me things that were soothing to me … none of which have ever been soothing from that day to this." Out of that tragedy he wrote "Precious Lord," the song for which he is best known. This work has been translated into 50 languages and recorded with success by gospel and secular singers alike, including Elvis Presley. A second song, "Peace in the Valley," was a hit for Tennessee Ernie Ford and others. In 1932 Dorsey was appointed musical director of Pilgrim Baptist Church in Chicago, a post he held until his retirement in 1983. 1932 was also the year he formed the National Convention of Gospel Choirs and Choruses with blues singer Sallie Martin. Their collaboration would continue over the years as his fame spread, Martin often accompanying him on his tours around the country. She also helped him with his publishing business, which quickly became so successful that people nationwide called any piece of gospel sheet music a "Dorsey."
Dorsey remarried in 1941. His career continued to flourish. He would eventually compose over 3,000 songs. Well known within the African American community, Dorsey nonetheless remained relatively obscure outside of it - though people were singing his songs all over the world - until he became the subject of a BBC documentary in 1976. His appearance with another great gospel singer, Willie Mae Ford Smith, in the documentary Say Amen Somebody also afforded him considerable exposure. In that film, after being helped into a room, he addresses a group of people, moving comfortably in and out of song all the while. He was ordained a minister in his sixties, formalizing the union of song and worship. The Pilgrim Baptist Church created the T. A. Dorsey Choir to honor him in 1983. Dorsey died of Alzheimer's disease on January 23, 1993 in Chicago, Illinois. However, he lives on each Sunday as voices rise in praise, singing the gospel across the land.
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